698
10.0

爱上谎言的女人

导演:
中江和仁
主演:
长泽雅美,高桥一生,内藤大湖,川荣李奈,黑木瞳,吉田钢太郎
别名:
未知
10.0
698人评分
日语
语言
未知
上映时间
118分钟
片长
简介:

某大型饮料公司的OL川原由加利(长泽雅美 饰)和男友小出桔平(高桥一生 饰)是一见钟情。原本生活平静,简单幸福,但是这一切都被突如其来的事件所打乱。某天,桔平因蛛网膜下出血突然昏倒,可是随后被医护人员发现,他所持有的驾照、医师执照居然全是伪造的。得知消息的由加利十分震惊,对于这个相处五年之久的男友,竟然自己完全感到陌生。在此之后,由加利请来私家侦探调查桔平,更从男友一份未完成的小说手稿中找到了蛛丝马迹。他是谁?他又为何甘心让自己和爱人活在谎言之中?   本片故事取材自真实事件。

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简介:  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 
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